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(To Kristine) Girl in brown, much better but still too much tension face, neck, and shoulders. (First group of girls begins the jazz combination. Zach demonstrates, while the rest of the group sings.)\r Maggie, in pantomime, asks Zach to demonstrate part of the combination. The first group of girls steps out to do the jazz combination.
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(Frank acknowledges his instruction, but continues to look down.)\r (To Frank) Boy in the headband, keep your head up. (First group of boys completes the combination. (Demonstrating) The arms are second, down, fourth. (First group of boys begins the combination.)\r Tricia dances so big, she winds up in front of Sheila, Sheila exchanges a glance with Zach.)\r (The third group of girls begins the combination. (Vicki leaves group, the rest of the group finishes the combination.)\r (Second group of girls steps out and begins the combination.)\r (First group of girls steps out and begin the ballet combination.)\rĭiana, you\'re dancing with your tongue again.\r First group of girls, second group follow. How many people does he need? How many boys, how many girls?\r Look at all the people, at all the people\r How may boys, how many girls How many boys, how many. God, I hope I get it! I hope I get it! \r How many people does he need? How many people does he need?\r God, I hope I get it, I hope I get it! \r
Group: (Note: Cassie does not sing in the opening number)\r (Zach goes into pantomime, continuing to form groups, as the others sing.)\r Right, when I find a number without a person, it\'s you.\r
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When I call out your number, I\'ll tell you where you\'re gonna be in the formation.\r Okay, I\'m going to put you into your groups now. The group marks the combination in various degrees.)\r (Larry demonstrates the combination downstage center. Okay, let\'s do the ballet combination one more time. (Group turns to face front and does the entire combination.)\r Right, let\'s do the whole combination Facing away from the mirror\rįrom the top! a-Five, six, seven, eight! \r Home Artists: A A Chorus Line I Hope I Get ItĪgain. It began a lengthy run in the West End in 1976 and was revived on Broadway in 2006, and in the West End in 2013.Lyrics Book, A Chorus Line I Hope I Get It A Chorus Line's success has spawned many successful productions worldwide. It remains the sixth longest-running Broadway show ever. The original Broadway production ran for 6,137 performances, becoming the longest-running production in Broadway history until surpassed by Cats in 1997, and the longest-running Broadway musical originally produced in the US, until surpassed in 2011 by Chicago. An unprecedented box office and critical hit, the musical received twelve Tony Award nominations and won nine, in addition to the 1976 Pulitzer Prize for Drama. A Chorus Line provides a glimpse into the personalities of the performers and the choreographer as they describe the events that have shaped their lives and their decisions to become dancers.įollowing several workshops and an Off-Broadway production, A Chorus Line opened at the Shubert Theatre on Broadway July 25, 1975, directed and choreographed by Michael Bennett. Centred on seventeen Broadway dancers auditioning for spots on a chorus line, the musical is set on the bare stage of a Broadway theatre during an audition for a musical. A Chorus Line is a musical with music by Marvin Hamlisch, lyrics by Edward Kleban and a book by James Kirkwood, Jr.